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About

My work has grown through a constant dialogue between personal creation and sharing art with the public.

Shown in France and abroad, it has led to exhibitions, articles in the specialist press and the creation of the Bleu Paris Festival, a curatorial project born of my research into blue.

This path reflects a practice that is both visual and cross-disciplinary, where painting, film and publishing answer one another within a single world.

Modka sitting on her worktable in her Paris studio, in front of a wall covered with her blue works and Bleu Paris posters.

Exhibitions

My work has been shown in France and internationally, in solo and group exhibitions. Each showing marks a stage in my research into blue, whether through painting, film or curatorial projects.

For me, exhibitions are spaces for dialogue: between the work and the gaze, between the intimate and the public.
  1. 2025

    Solo exhibition

    Galerie Montesquieu, Agen

    France

  2. 2024

    Group exhibition

    Festival Bleu Paris, Paris

    France

  3. 2023

    Since 2023 · Curatorial project

    Festival Bleu Paris, Paris

    France

    Founding president of the Bleu Paris Festival, an international short film festival devoted to the colour blue.

    bleuparis.fr
  4. 2021

    Group exhibition

    The Holy Art Gallery, London

    United Kingdom

  5. 2020

    Solo exhibition

    L’Expression de l’Eau, La Tremblade

    France

Press

My work has been featured in publications highlighting my research into blue, symbolism and the crossover between painting and film.

Article in Le Petit Bleu, June 2025.
« Un véritable parcours initiatique, teinté de rêve et de poésie. »
« La sérénité conférée par l’omniprésence des bleus profonds est contrariée par des regards anxieux saisissants. »

Richard Bohan, Le Petit Bleu, June 2025

Page from Aesthetica Magazine, issue 99, 2021.
“Monah Maucouvert considers her work to be her outlet, constantly evolving to express her emotional state.”

Aesthetica Magazine, Issue 99, 2021

Page from Aesthetica Magazine, issue 67, 2015.
“Her work constantly evolves to express her emotional state. Each mood is ephemeral, symbolised by movement and represented by water, inviting a cathartic emotional reaction in the viewer.”

Aesthetica Magazine, Issue 67, 2015